Most of my posts of late have focused on social media and consumer engagement. Our agency focuses on 2 areas – social media and knock the wind out of you creative design. Today I am going to focus on the importance of design and the immediate connection and engagement that can be realized by great design.

For most bricks and mortar businesses – the way visitors  discover new products – comes from great design and packaging. Consumers are smart have so much messaging speeding by in so many formats – that anything that pops out at them as new – is certainly vital way to create awareness. Too add to that important factor is the footprint that products now take up – in the store and in your home. That footprint is for many – a key component – as to whether or not consumers especially women – will consider supporting a brand. In turn retailers are cleaning up cluttered shelves, getting away from in-store signage and finding new ways to display and promote products which makes design even more valuable.

Digital screens are regular fixtures everywhere – and I believe – will soon  take over as the main in-store fixture in retail spaces. Yes you heard it here! The product Method was a great example of blending great design with environmentally friendly products and several years ago partnered with Karim Rashid – to design some of the product containers. I was actually in New York in 2003/04 when they were promoting the Method designs and products at the famous design store Conran in NYC!

P&G has realized and focused much of it’s business on design in brand-building especially in-store and has seen early success for many of their newly designed and launched products. Ad Age posted an article today which I will attach by Jack Neff – that speaks not only about the focus of design – but some of the changes and results that have been seen with this new focus.

Minimizing the amount of products that are used on a daily basis and the multiple functions for products and how they integrate into your lifestyle and home are all key factors for purchase. This is where design becomes most important. The days of highly style products and services that were for the wealthy only – are now things that everyone at every price point has access. That same design thinking transfers itself online with the same  importance as offline. You have only a couple of seconds to nab someones attention when they arrive at your site. It is yes the content – but knock the wind out of you design – can be the lure -  that begs you to stay just a bit longer – we have just what you need!

Best Nicole

s in-store marketing grows in importance and marketers focus more at winning over consumers at the shelf, one discipline is seeing its star rise: design.

No less a giant than Procter & Gamble Co. has incorporated design into its comprehensive brand-building function under the group headed by Global Brand-Building Officer Marc Pritchard. After initially carving design shops out of its new “Brand Agency Leader” model for managing and paying marketing-services shops, P&G now increasingly includes them in the system, in which lead creative agencies essentially function as general contractors over other marketing services shops.

A FRESH APPROACH: P&G Global Design Officer Phil Duncan sees the Febreze Home Collection (above) and Pantene’s new line of products as an example of the sorts of design-intensive initiatives that are growing business.

The growing importance of the store has been central to Mr. Pritchard’s “store back” concept, in which all marketing ideas need to prove their mettle by whether they work at the shelf. And bringing design into the brand-building organization is a key part of implementing that strategy.

A study last year by Nielsen Co.’s Bases unit found in-store marketing clearly beats TV as the leading medium creating awareness of new package goods in the U.S. and five other key developed markets. About half of consumers in Bases’ survey cited in-store as their source of awareness of new products, vs. only a third citing TV. Peel the onion further, and it turns out of that half of consumers who became aware of products for the first time in store, 71% became aware simply by seeing them on the shelf. And what drives that shelf awareness is the package.

“We now are brand-building from the eyes of the consumer toward us,” P&G Global Design Officer Phil Duncan said in an interview at the company’s Cincinnati offices. “We’ve always believed the consumer should be boss, but we had an organization that was a little function-specific. … By coming together as a real multifunctional team, I think we’re already seeing bigger and better ideas.”

Early gains
It’s been less than a year since P&G incorporated design into the global brand-building organization, so the initiatives it’s started to develop under the new system haven’t hit stores yet.

But Mr. Duncan sees the Febreze Home Collection as an example of the sorts of design-intensive initiatives, with product, packaging and marketing seamlessly aligned, that the new order can help bring. Designers spent time in consumers’ homes and boutiques, segmenting consumers by home-decor preferences and developing fragrance and decorative ranges for each segment that include battery-powered flameless luminaries with changeable scented shades, along with reed diffusers, scented candles and room spays. The initiative has helped P&G add two share points in air fresheners since launching last year.

Bigger ideas are critical, because designers at P&G and other package-goods companies are staring at two huge dilemmas these days.

First, even as in-store marketing becomes more important, big retailers have been putting more restrictions on it as they adopt or toughen “clean store” policies that restrict use of displays and point-of-purchase advertising. That makes the role of the package that much more important, but the second dilemma is that under the banner of sustainability, retailers and consumers are also pressuring marketers to make their packages smaller.

“It’s a constant challenge,” Mr. Duncan said, “but one that makes design so critical.”

Big ideas
His solution to the problems is far more easily said than done: Come up with better ideas. When retailers see big ideas, they tend to give them more space, he said, so the challenge is coming up with big ideas that work in the store. “We’re really asking our communications agencies,” he said, “to vet [their] idea first in store, because that often can be the most challenging environment for us to communicate that idea.”

The clean-store movement is one Mr. Duncan supports, because he believes “the pendulum had swung too far to everyone trying to break through, which meant nothing breaks through.” Less-cluttered stores also mean the payoff for a big design idea that gets a green light from retailers can be all that much bigger, because shoppers see fewer competing marketing programs in the store.

Having more design impact with less space, less cost and less environmental impact is a classic “design thinking” challenge, Mr. Duncan said.

For Pantene, whose last restage didn’t go over so well with consumers, a “design thinking” session was the start of the solution, Mr. Duncan said. Design thinking, which includes heavy doses of consumer co-creation and prototyping concepts, helped lead to a lineup hitting stores in June in the U.S. and early 2011 in Europe that will include 25% fewer items, considerably less packaging material and cost, and more prominently color-coded packages that delineate product ranges for different hair needs.

“We’re paying attention, finally, to the things that matter to consumers, and stripping out the things that don’t, as well as thinking about footprints across the franchise,” Mr. Duncan said.

Herbal Essences
Five years ago, P&G began applying a similar “design thinking” approach to another hair-care brand in trouble: Herbal Essences. P&G took a team to its offsite Clay Street facility in Cincinnati’s impoverished but architecturally rich Over-the-Rhine neighborhood for what Mr. Duncan calls “design thinking on steroids.”

Pantene’s new line of products

The result was the launch in 2006 of a dramatically different look and product lineup that ultimately made Herbal Essences a survivor in the battle with L’Oréal’s Garnier Fructis and Unilever’s then-upstart, now largely vanquished brand Sunsilk.

But design thinking isn’t just about turning around hair-care brands. P&G is also applying it to a broad range of business issues. The decision to reorganize P&G’s beauty care and grooming marketers along women’s and men’s lines rather than product category lines, for example, also culminated from a design-thinking session, Mr. Duncan said.

For just about any problem, design thinking now can be a solution at P&G, he said. So Mr. Duncan spends a lot of time in meetings looking for problems, specifically ones he believes a design-thinking session could help solve.

Mr. Duncan is perhaps the highest-level outsider that traditionally promote-from-within P&G has recruited, though he wasn’t entirely an outsider. He started his career with P&G with four years in brand management before becoming a design executive for 13 years, ultimately with P&G shop Landor Associates, including a stint heading the Cincinnati office and the P&G account.

For design, he sees a lot of potential both for improving efficiency and breaking new ground in marketing.

So he’s in the process of helping P&G winnow a large palette of package colors built up from years of product launches by 30% to 40%. And he sees opportunities for electronic inks and other digital and packaging technologies to create breakthroughs in in-store marketing, like displays where each package becomes a component in a big-screen presentation not unlike an electronic billboard.

“You always have to be looking at frontiers of innovation for ideas,” he said. “It’s kind of like haute-couture fashion. It’s eventually going to come in. You may not recognize it in the same form, but it’s going to be there.”

Five ways P&G is using design

The traditional way: Package design remains the key to winning consumers at the shelf, what P&G calls “the first moment of truth.”

CREATING NEW FRANCHISES AMONG BRANDS: To leverage its scale in countries where both Crest and Oral-B are established brands, notably the U.S., P&G is using design to forge a franchise linking products from both brands for beauty-focused consumers with the 3-D White line of products in toothpaste, toothbrushes, mouthwash and whitening strips. It has a similar Pro-Health franchise linking toothpaste, mouthwash and brushes for more health-focused consumers.

TO EXPAND BRANDS AND BUSINESS MODELS: Besides expanding the brands into service and retail, Mr. Clean Car Washes and Tide Dry Cleaners are also a design exercise, adding another dimension of retail space and experience to the brands.

TO TURN AROUND BRANDS: Design-thinking exercises — and design revamps — have been key to saving Herbal Essences from the brink of extinction at the retail shelf and, P&G hopes, will reverse share losses in recent years for its hair-care category leader Pantene, a $3 billion global brand.

TO SOLVE BUSINESS PROBLEMS: P&G has used “design thinking” exercises, which include lots of co-creation with consumers or other affected parties, to try solving a number of other business problems, including how to organize its beauty and grooming marketers. The result: P&G moved to reorganize along men’s and women’s lines as opposed to traditional category lines.

This entry was posted on Monday, April 12th, 2010 at 11:10 pm and is filed under Online Marketing. Tagged: ADVERTISING AGE, BRAND STRATEGY, CONRAN, DESIGN, DESIGN SHOPS, FEBREZE, HERBAL ESSENCE, JACK NEFF, KARIM RASHID, MARC PRITCHARD, MARKETING SERVICES SHOPS, METHOD, NICOLE MCKINNEY, P&G, PANTENE, SHARE, SOCIAL MEDIA, WWW.BCADGROUP.COM. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.